iwc schaffhausen swiss watches luxury manufacture models novelties ladies gentlemen
In its new Manufakturzentrum, IWC Schaffhausen marries traditional watchmaking with state-of-the-art manufacturing methods and technologies.

IWC Schaffhausen presents the new Manufakturzentrum in Switzerland

In its new Manufakturzentrum, IWC Schaffhausen marries traditional watchmaking with state-of-the-art manufacturing methods and technologies. Outstanding levels of quality and precision can be attained in the production of movement components and cases courtesy of the most advanced turning and milling centres. Assembling the manufacture movements, in contrast, is a task that must be carefully performed by hand. Only in the experienced hands of the watchmaker will the mechanical heart of the watch finally begin to beat. Completed in just 21 months, IWC’s new Manufakturzentrum sits on the outskirts of the Swiss town of Schaffhausen.

Even as you approach the building, it becomes clear that the watch manufacturer has raised a monument – both literally and figuratively – in a year that also coincides with the company’s 150th anniversary. The glass façade with its black frames stands in stark contrast to the white, flat roofs that extend beyond the façade. “Back in 1868, our founder Florentine Ariosto Jones was already pairing traditional watchmaking with advanced production methods. Ever since he established this approach to engineering, we have been systematically developing it; even today, we continue to combine skilled workmanship and sophisticated technology in our new Manufakturzentrum. But the building has more to offer than just optimal conditions for production and excellent working conditions for our employees – it also embodies the spirit of the IWC brand and allows visitors from all over the world to see up close how our manufacture movements and cases are produced”, reveals Christoph Grainger-Herr, CEO of IWC Schaffhausen.


The imposing, 9-metre high entrance lobby affords direct access to the movement-component production workshop. This is where around 1500 components are produced, including components for the automatic movements of calibre families 52 and 82, the hand- wound movements of calibre family 59, and the chronograph movements of calibre family 69. Complex components are manufactured, such as bottom plates, bridges and oscillating weights, as well as small components including switching levers, springs and latching elements. Some parts are so small that they are barely visible to the naked eye. This department’s activities also encompass the production of components for complications, such as perpetual calendars, annual calendars and tourbillons. Mechanical watches are sophisticated mechanisms in which as many as several hundred individual components work ceaselessly to fulfil their function. The need for precision is therefore incredibly high. “At the end of the milling process, a bottom plate for the calibre 52, for example, must have around 400 geometric features; it must be produced with minimal tolerances in the region of a few thousandths of a millimetre”, explains Voll. This is why most of the steps involved in producing movement components are automated. Only the most advanced computer- controlled turning and milling centres are capable of producing these components to the required standard. The bottom plate for the calibre 52, for example, is milled by a cutting-edge machining centre that can machine multiple brass blanks in a single clamping arrangement. This allows the tools and machining positions to be automatically changed and maximum precision to be achieved. An articulated robot is responsible for feeding in the raw material and removing the finished components.


Movement components receive the desired surface finish properties in the electroplating shop. “The main purpose of this is to provide protection against corrosion and to make the components visually appealing. A protective coating made from nickel and rhodium, for example, prevents brass components from tarnishing and developing patina. It also gives the components their silvery white colour”, elaborates Voll. Movement components that are engraved are particularly complicated to produce. For example, the barrel bridge is first gold-plated all over and then a coating is applied to the engraving. Once the Côtes de Genève have been added, the components are rhodium-plated in an electroplating bath and any remaining coating is washed off. The engraving now gleams in dazzling gold.


The transition from movement-component production to movement assembly is seamless. While the production of the movement components is largely automated, assembling the manufacture movements is a delicate operation that must be performed by hand. It is beyond the capabilities of any machine to piece together the complex mechanism and bring it to life. At the pre- assembly stage, plates and bridges – which together form the ébauche – along with a number of other components, are assembled to form a unit. These finished assemblies are later sent to the assembly lines together with components that are kept in stock. It is on these assembly lines that manufacture movements such as calibre families 52 and 69 are assembled. A line concept has been developed for assembling the movements that builds on F.A. Jones’ visionary idea and develops it even further. Breaking the assembly process down into multiple sub-processes allows us to assign a specialist with specific expertise to each individual step. “Having the assembly process for our different calibre families organised into dedicated lines enables us to maximise the quality standards we are able to attain”, says Voll of the key benefit. An innovative oiling machine developed by the employees themselves allows up to several dozen oiling points in the movements to be lubricated with the utmost precision. Even tiny amounts of dust or dirt can impair a movement’s performance. For this reason, the components are assembled in a cleanroom atmosphere; the conditions here are similar to those established for the manufacture of computer chips. Fifty thousand cubic metres of air are circulated every hour. The pressure in this environment is above atmospheric pressure, making it even harder for dust particles to find their way in.


The basement of the Manufakturzentrum houses the case production department. Stainless steel, titanium, platinum, red gold, white gold and bronze watch cases are manufactured here. Since the 1980s, IWC has been accumulating a wealth of expertise in the machining of challenging case materials. The latest material innovation to come from Schaffhausen is Ceratanium®: “This groundbreaking new case material is as robust and as light as titanium and as hard and as scratch-resistant as ceramic materials”, says Voll. Even a simple case comprises a great many individual components. If you then add functions such as a rotating bezel or chronograph pushers to the mix, the number of components rises rapidly to several dozen or more. The machining process for the blanks is customised using computer-controlled turning and milling centres. Depending on the material and case type, between 30 and 50 cases can be made from a metre-long bar. The milling process alone can take hours. Manufacturing a platinum case for the Portugieser Grande Complication, for instance, is incredibly time-consuming because the material is difficult to machine and the geometry is complex. Once they have been machined, the cases proceed to the surface finishing stage, in which they are polished. The final clean and the final inspection then take place in a cleanroom atmosphere once again, and once again, these are delicate manual tasks. “Only the human eye is able to assess the quality of a surface”, states Voll.


In addition to machine engraving and etching, laser engraving is also used to engrave the case back. This highly advanced technique not only affords excellent process reliability, it also opens up whole new possibilities in terms of engraving design. Our case-production specialists are skilled in a range of particularly complex and demanding machining methods. One example of these is diamond turning. This machining method is used primarily for red gold and bronze. The material is removed with a specially cut diamond, which also compresses the material as it cuts it. This gives the red gold case of the Portugieser Chronograph its unique, gleaming surface finish, for example.